The Lessons of Fargo
September 30, 2005
Movie: Fargo
Reviewer: John P Bernat (Kingsport, TN USA) - See all my reviews
Some reviewers here call this the greatest film of the decade. Others express concerns and confusion about the movie's violence and nastiness - how can this be seen as funny?
Violence is not funny. People who have laughed at a foot sticking out of a wood chipper have done so either because of the sheer incongruity of the mise-en-scene, or because we're so surrounded by violence that any depiction causes an almost involuntary laugh response.
But in this movie it almost seems as though the Coen's want you to laugh at this, more or less as one might laugh at Moe hitting Curly with a hammer.There's a reason for this thematic, and I think it might be easy to understand. Identification (or lack of it) is a source of great art. We can laugh at Moe hitting Curly because we know the hammer isn't real and that Moe does not really hate Curly or want to see him suffer.
This movie encourages the audience to distance itself from the pathetic, stupid people depicted in it, and thus laugh at what they do to one another. The criminals are dumb, and act dumb. The good guys are dumber. The main "good guy" talks about nice things in such pathetically cheerful dialect that you want something bad to happen to her, just so she'll shut up. Moe, would you poke her in the eye for me?
And then the Coens make us turn on a dime. I realized, on the first of many viewings of "Fargo," that the woman is not only a brilliant detective who "cracks" a pretty tough case, but she also has figured out life's most subtle challenge: how to be happy.
Her speech to the criminal at the end is seen by many as a simple continuation of the irritation of her affect. It is so much more. She tells all of us how to be happy. And, like Richard "Lord" Buckley (1906-1960) told us, it is so simple it evades all of us.
Love people - and love them unconditionally.
Obey the rules, because most (though not all) of them were made for good reasons.
Chasing money and sex does not produce happiness.
Work hard and use the gifts you have.
Give generously.
Be cheerful and pleasant to others; it might even improve your own happiness.
None of this means having to be a chump. But we associate chumpness with this so much that we need to Coens to unscramble the egg just a bit. Throughout the movie, the dumb criminals invested their energies in acting smart; turns out the wisest person of all seemed the least wise to us all.
Did I mention that the special features are outstanding? They are.
Movie: Fargo
Reviewer: John P Bernat (Kingsport, TN USA) - See all my reviews
Some reviewers here call this the greatest film of the decade. Others express concerns and confusion about the movie's violence and nastiness - how can this be seen as funny?
Violence is not funny. People who have laughed at a foot sticking out of a wood chipper have done so either because of the sheer incongruity of the mise-en-scene, or because we're so surrounded by violence that any depiction causes an almost involuntary laugh response.
But in this movie it almost seems as though the Coen's want you to laugh at this, more or less as one might laugh at Moe hitting Curly with a hammer.There's a reason for this thematic, and I think it might be easy to understand. Identification (or lack of it) is a source of great art. We can laugh at Moe hitting Curly because we know the hammer isn't real and that Moe does not really hate Curly or want to see him suffer.
This movie encourages the audience to distance itself from the pathetic, stupid people depicted in it, and thus laugh at what they do to one another. The criminals are dumb, and act dumb. The good guys are dumber. The main "good guy" talks about nice things in such pathetically cheerful dialect that you want something bad to happen to her, just so she'll shut up. Moe, would you poke her in the eye for me?
And then the Coens make us turn on a dime. I realized, on the first of many viewings of "Fargo," that the woman is not only a brilliant detective who "cracks" a pretty tough case, but she also has figured out life's most subtle challenge: how to be happy.
Her speech to the criminal at the end is seen by many as a simple continuation of the irritation of her affect. It is so much more. She tells all of us how to be happy. And, like Richard "Lord" Buckley (1906-1960) told us, it is so simple it evades all of us.
Love people - and love them unconditionally.
Obey the rules, because most (though not all) of them were made for good reasons.
Chasing money and sex does not produce happiness.
Work hard and use the gifts you have.
Give generously.
Be cheerful and pleasant to others; it might even improve your own happiness.
None of this means having to be a chump. But we associate chumpness with this so much that we need to Coens to unscramble the egg just a bit. Throughout the movie, the dumb criminals invested their energies in acting smart; turns out the wisest person of all seemed the least wise to us all.
Did I mention that the special features are outstanding? They are.